Cola Jet Set

Felipe: guitar, chorus
Cristina: bass, chorus
Ana: vocals, keyboards
Alicia: guitar
Joan: drums

2001
COLA JET SET appeared just at the same time as LOS FRESONES REBELDES decided to break up. After 5 successful years of having been Spain’s most representative and successful group of the most optimistic pop, the band that wrote “Al Amanecer” opted to split up on June 29th in Alburquerque (Badajoz), after their concert at the Contempopránea festival, and after realizing that there were many different ways to understand and live the music and the band. They left one of those magisterial and unrepeatable pieces of work behind, their debut album, “Es Que No Hay Manera!”, an album full of freshness, looking for the light in every melody and chorus, an album that was a national milestone, selling more than 20,000 copies. And so they became the band of reference within Spanish pop music, with that form of making direct, fun music without prejudices. Their second album, “Exitos 99”, released 1999, was also a great success, selling more than 20,000 copies, and showing a more unified group with a solid sound. But there were only a few scenes left in the history of a group that is fundamental in understanding what was going to happen to the pop music of this country.

Felipe (guitar) and Aarón (bass) from Zaragoza, as soon as their previous band disappears, that very night, decide to embark on a new project that begins to take shape that very moment. Just two months later, on September 30th, Ana (LA MONJA ENANA) joins the group as the lead singer and keyboardist.

Cristóbal (drums) is their first drummer, with whom they give their first two concerts in Barcelona (October) and Zaragoza (November), though by December, with Cristóbal’s return to his native Sevilla, Roge takes over the rhythm section for the band. A few days later, Cristina, who was also an integral part of LOS FRESONES REBELDES and always in tune with Felipe and Aarón, joins the project as the second guitar.

2002
With the group members set, they record their first demo with “Cosas Que No Se Olvidan”, “¡Ay, Amor!” and “Quiereme”, songs in which the melodic abilities of their songwriting, their freshness and vitality can already be seen. Two of the songs, “Cosas Que No Se Olvidan” and “Quiereme”, become huge hits in the COLA JET SET songbook. The radios declare it as one of the demos of the year and clamor for its release from a record company.

They perform in Madrid on March 2nd in the annual party for the radio program “Flor de Pasion” (RNE – Radio 3), just days before Felipe and Ana’s wedding. The concert becomes a special and meaningful event, and is a complete success, an unbeatable beginning for a band fingered to do great things in the national pop panorama. They headline with NIZA and SOUVENIR.

Subterfuge, after having been LOS FRESONES REBELDES’ label for a few years, release COLA JET SET’s first CD-Single on a record label, “Cosas Que No Se Olvidan”, which has the three songs, “Cosas Que No Se Olvidan”, “Cancion de Luna” and “Acabar Bonito”. The songs are recorded in the Barcelona studio From The Backyard with the producer Guille Milkyway (LA CASA AZUL), who actively participates in almost all the group’s recordings. Critics like Jam Albarracín (La Verdad, Efe Eme) or respected radio DJ’s like Juan De Pablos, see the same spark and freshness in these songs that they saw in LOS FRESONES REBELDES, a necessary continuation, though their music separates from LOS FRESONES REBELEDES with a greater stylistic richness, as will be later confirmed in their later releases.

There is an intense summer tour that takes them to cities such as Madrid and Barcelona, and festivals like Lemon Pop in Murcia, with VACACIONES, JUNIPER MOON or TENDER TRAP, among others. The legion of fans is growing and their songs, upbeat and danceable, spread through the avid crowd. Despite all of this, they find themselves obligated to take a break, one of the many that pave their career, due to Ana’s commitments with LA MONJA ENANA.

2003
In August they perform in one of the “Operacion Bikini” parties organized by the Madrid concert space Siroco, with groups like JUNIPER MOON and LA MONJA ENANA; it is a concert that marks a new period of activity for the band, when they also start playing some of the songs that will appear on their debut album, an album still in the preparation process. In December they hold their own in the Tendencias FMI Festival in Hospitalet de Llobregat, with bands like LES PHILIPPES and EL COLUMPIO ASESINO.

2004
After leaving everyone with their mouths open and wanting more, the debut full-length finally arrives: “Contando Historias”. Uniting talent and a love of the classics, from Motown to THE BEACH BOYS, but doting them with energy and young blood, their mix of surf, disco, punk, bubblegum and a lot of pop meld into an explosive cocktail that makes this disc more commonly prescribed than Aspirin. Guille Milkyway (LA CASA AZUL) returns to produce the album and also to sing on “Nuba”. “Quiéreme” is chosen as the first single, causing a fury among old fans and new arrivals, and they also include a precious hidden classic of sunshine pop, “Love Is Getting Better” by THE GROOVE, here transformed into “El Amor Mejora”. And, an interesting detail, they title the album “Contando Histories” as a wink at Todd Solondz. The last movie by the North American director, “Storytelling”, had been translated in Spain as “Cosas Que No Se Olvidan”, which was, curiously, the title of COLA JET SET’s first single. So the gang from Barcelona decided to respond by calling their album the name Solondz’s film should have been translated to.

As a celebration and inauguration for the new record label release, they perform again in the “Flor de Pasion” party, this time celebrating the 25th anniversary of Juan de Pablos’ radio show, with other bands like LA CASA AZUL, LOS SOBERANOS, NOBEL or AIRBAG.

The tour grows more intense and they perform in festivals like Lemon Pop in Murcia (with NICE MAN, FANGORIA, THE LEGENDS and BOEDEKKA), or the Easy Pop Weekend in Andorra (with such bands as TACHENKO and COMET GAIN among others), where their music is received with open arms by legions of followers hungry for fun and energy. COLA JET SET consolidate themselves as a band and are considered by the press and public to set the standard for the new batch of fun pop groups.

At the end of the year they harvest the fruits of their labor. Webs like Alta Fidelidad or Surfer Rosa, among many others, place their debut album among the best of the year, highlighting songs like “Cosas Que No Se Olvidan” and “Quiéreme”.

2005
Aarón, a founding member, decides to leave the group at the beginning of 2005 in order to dedicate himself to his new project REC, which causes Cristina to pick up the bass. Shortly after Sol from Murcia steps up to fill in on guitar.

Their concert activity is intense. Juan de Pablos returns to demonstrate his profound love and admiration of COLA JET SET’s music and he invites them to the 26th anniversary celebration, this time in the Barcelona club Magic, with bands like FANTA and ZONA NEGATIVA (precisely Roge’s parallel project). In April they perform in the Plastidepop Festival (Zaragoza) with, among others LOS SOBERANOS and CHICO Y CHICA. Additionally, they cover other points of the Spanish geography like Madrid, Valencia and many more cities.

In May, the group decides to stop its frenetic activity as Felipe and Ana’s imminent parenthood approaches.

In June, the video clip for “Quiéreme” is awarded Best Work in a Video Clip at the IV Short Film Competition of the Council of Malaga. Directed by
Paco Casado and Richard García, of the production company Entrelíneas, “Quiéreme” shows the band in curious and original cardboard scenery, styled like a theater stage, or one of those childhood books that unfold into diverse landscapes. Wonderful.

Sol doesn’t last long in the bosom of the band and she leaves that same summer. Alicia comes to take her place, arriving from Sant Cugat. The scarce activity and the arrival of the baby make many of the band’s fans fear the end, which couldn’t be farther from the truth.

 


2006
Toward the end of 2006, specifically in November, the band’s anticipated return to the stage takes place. As they themselves say, they dedicated themselves in the meantime to “writing songs and restructuring human resources”.

2007
The amazing reception of their return motivates them to record a new CD-Single, “Suena El Telefono”, a hyper-danceable song with pop callings and a breath of disco. Also, the release includes “Georgy Girl”, originally by THE SEEKERS, here translated to Spanish with a catchy touch of ye-ye (and, at the same time, an homage to the homonymous, long-running and passionately pop fanzine from Zaragoza made by Armando Trívez), the precious “Una Palabra Tuya” and a remix of the principal song called “Suena y Requetesuena”. The reviews are euphoric and there is hunger for COLA JET SET after three years without new songs to listen to.

The record label industry situation, economically troubled and in constant decline, causes Roge to lose steam and leave the group; Ana and Felipe take advantage of this moment to expand their family. But in no time, Joan (Barcelona) joins the group to take over on the drums.

The road awaits them. They perform again at the anniversary party for Flor De Pasion, sharing the stage with bands like L-KAN or SANTI CAMPOS Y LOS AMIGOS IMAGINARIOS. But probably their most representative concert from these days is the show in May in the International Pop Overthrow festival in Liverpool, with SQUIRE, RINALDI SINGS and Paul Bevoir, where they achieve well-renowned success and create an important legion of British followers.

The mentioned record label crisis has its repercussions in the different ways Subterfuge and the band see the band’s career, and the band leaves the Madrid label in June. They begin work self-publishing but while still in this process they knock on Elefant Records’ door and Elefant welcomes them in with great pleasure.www.myspace.com/colajetset

2008
The group enters itself in the preliminary rounds for the Eurvision festival with the new song, “El Sueño de Mi Vida”.

To celebrate signing with Elefant they perform on February 16th in El Sol with THE SCHOOL in a party for Elefant in which Alex COOPER participates as a specially invited DJ. COLA JET SET perform various new songs and close the concert with a version of “Al Amanecer” that unleashes a collective craze in the whole room.

The sessions that begin in February to release “El Sueño de Mi Vida” as a single quickly extends itself into full-length that will be called “Guitarras y Tambores”, just as they define their own classic pop sound. Throughout the recordings, the muses appear and 16 songs are produced (12 for the LP and the rest for B-sides and compilations) and one instrumental piece (which will close the album). The music is the same, because they know what they like to do and what their public wants, and it’s different because each new member brings his or her own touches to it, and there are songs by Alicia, Ana and Cristina. The album release is set for February of 2009.

The international relations between groups that MySpace so greatly facilitates open new doors: the album design will be overseen by Paul Bevoir, leader of the genuine British Jetset of the 80s and a good friend since Liverpool; and at the end of the summer the group accompanies the Norwegian MY LITTLE PONY on their Spanish tour, taking advantage of the opportunity to show off a handful of songs from the new album in Barcelona on September 21.


2009
On February 16th, “Guitarras y Tambores” is released; the wait has been long but finally we can enjoy the new and long-awaited album, the second in their career and the first with Elefant. On this album the group has purified its sound, bringing it closer to a classic pop with clear sixties influences (Jackie De Shannon, THE RONETTES, THE BYRDS...) but they have also enriched it with small stylistic intoxications that came up along the way: soul, disco, psychedelic pop, soft-pop… Because of all this, the album is classic pop through and through. Its melodies and arrangements are inspired by the greats of the genre.

On March COLA JET SET is cover of the spanish magazine, Plástica.

On April they present their new album, "Guitarras y tambores" in Madrid. An Elefant party where they share stage with Zipper-Cremallera and Guille Milkyway Dj. At the same time video clip of the song, "El sueño de mi vida", directed by Labtrazos, sees the light.

In June, there is a very good review of "Guitars and drums" in the important north-american web, All music.

They don’t stop a second after the release of their second album in February. They take part in the 30th anniversary celebration for the radio show Flor de Pasión (RNE – Radio 3), they are COOPER’s special guests for the presentation of its new album, “Aeropuerto” in Madrid and Bilbao, they perform at some of the most important festivals in Spain (Indyspensable, Contempopranea, Fuengirola Pop Weekend, etc.), and they travel to England to perform in London and at the Indietracks Festival.

In October, COLA JET SET present the video-clip of the song "En esta pista ya no se puede bailar", directed by Marc and Joel (The Hands Collective), who did an extraordinary job on the group’s video-clip, in which they shine like true pop stars playing, singing and dancing with a ton of friends.

In December they release a limited edition single of 7”, in white vinyl featuring “En esta pista ya no se puede bailar” on its A side and two new songs on its B side: “Nos Volveremos a Ver”, is a spot-on Spanish adaptation of the 1939 classic “We’ll Meet Again”, written by Ross Parker and Hughie Charles, which was a big hit during the Second World War, as well as a new song by Alicia called “100% Cola Jet Set”, a true declaration of intent. Like the album "Guitarras y Tambores", the cover of this single is designed by Paul Bevoir (JET SET and Paul Bevoir), a true artistic genius who is an eminent personage in British pop.

"Guitarras y Tambores" is chosen as one of the best albums of the year by Je ne Sais Pop (Spanish website).

In March COLA JET SET appears on the cover of the Spanish magazine Plástica.

In April they present their new album, "Guitarras y tambores" in Madrid at a party hosted by Elefant where they share the stage with Zipper-Cremallera and Guille Milkyway Dj. At roughly the same time, the video-clip of the song "El Sueño de Mi Vida" is released, directed by Labtrazos.

June brings a very good review of "Guitarras y tambores" on the important North American website All Music.


2010
In January they are once again mentioned on All Music, which publishes a good review of the video-clip “En esta pista ya no se puede bailar” on its website.

In February COLA JET SET play alongside BLA (a new band featuring Belén and Luis from L-KAN) at the first Elefant party of the year. They present their special supersized band for the first time in Madrid. Estel and Ruth on vocals and Manel and Gerard on keyboards and sound control reinforce the usual quintet of Ana (1st voice), Alicia (2nd voice and acoustic guitar), Cristina (3rd voice and bass), Joan (drums) and Felipe (electric guitar). They are brilliant and the audience gives itself over completely to the music, dancing and singing along. They finished the concert off with several songs by the legendary band LOS FRESONES REBELDES. What an amazing success!!!
 

 

COLA JET SET Myspace

 



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